New York: Grey Arts Gallery & Study Center, 1994. 48p., nice production, the essays printed on flecked alkaline matte stock, the high-resolution exhibit photography on coated glossy. Softbound in 9x9 inch color cardstock in a run limited to 2,000 copies; slightest external signs of handling, entirely clean and sound within, unmarked except by the artist who has penned his looped autograph on the half-title.
Twiddled photos, quite original, executed through Watts' command of technique and technology. Kinda gloomy too, the way we likes it.